When someone you don’t want to see spots you.
#Cloyster #gijinka #cosplay #pokemon #supanovaexpo #clams
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This is Supah awesome
Things that turn me on: ripping the plastic off a new game
New book smell.
Intelligence and empathy.
big tiddies
This is the most important invention in fashion thus far
puppyfacedara fuck-whoever-that-is DUDES. FOR GOING TO THE BAR!!
FUCKING COSPLAY HACK SQUAD LOOK AT THIS IM GONNA STICK FUCKIN POCKEYS EVERY WHERE FUCK YEAH IM EXCITE
AHHHGFHHHGGHHGGGGDGHGGGG!!!!!!???!!!?!!!!?!!!
Y'all can keep at it with that “Romeo and Juliet fell in love in five days how immature” shiz but Macbeth went from no murder to yes murder in like one afternoon and I feel like one of those is a significantly bigger problem than the other
In his defense his wife triple dog dared him and called him a pussy
“It’s not just Jennifer’s Body’s subversive tone that distinguishes it from your standard demon possession movie. Horror is traditionally geared toward a young male audience, something that Kusama and Cody had little interest in. It was essential to both the director and screenwriter that the film have a specifically female perspective, whether or not that alienated anyone else who might watch it. Because they are both women, they were able to explore more challenging themes about female identity. “I wrote it for girls,” Cody said, bluntly. “If a guy wrote a movie with the line ‘hell is a teenage girl,’ I would reject that. But I’m allowed to say it because I was one. I think the fact that we were a female creative team gave us permission to make observations about some of the more toxic aspects of female friendship.” There are heady ideas at play here. In elaborating on Jennifer’s Body’s themes, Kusama explained, “Part of the problem of an imbalanced power structure like a patriarchy is that women participate in it. And so it’s important to have that conversation.“ Is it any wonder the studio was baffled? These are not themes that can be easily condensed into a pithy tagline, and the marketing team was jumping through the extra hoop of translating these ideas to a young male audience, because the idea that perhaps Jennifer’s Body just wasn’t for boys never seemed to occur to anyone working on how to sell the movie to audiences. It didn’t help that test screenings confirmed that young men in particular just weren’t buying what Jennifer’s Body was selling. Thus began the endless frustration of a nightmarish marketing campaign — the aforementioned suggestion that Fox host an amateur porn site [to promote the film], that “Jennifer sexy, she steal your boyfriend” email — with the primary goal of drawing in an audience who had been deliberately excluded by the film’s writer and director. In fact, Kusama said she felt outright hostility toward the young female audience she and Cody had made Jennifer’s Body for.”
— Louis Peitzman, “You Probably Owe ‘Jennifer’s Body’ an Apology”
“I’ve always known who Alfonso Cuarón is, anyone who went to film school in the last 20 years knows who he is. To see somebody who can make ‘Gravity’ on such a large scale, apply that same aesthetic to a very intimate story. And to a story that’s about his home country, his home life. That’s what cinema should be. He’s acquired all these tools making these massive films, and then he uses those same tools to tell another massive film, but it’s massive here [points to heart] and not on the moon or in outer space.”
— Barry Jenkins on his favorite film of the year, Roma
